PROJECTS + PRACTICE
An expanded archive of commissioned, collaborative, and self-initiated work.
For commissions or collaborations → Contact
COMMISSIONED WORK
Institutional, editorial, and collaborative projects developed across specific contexts and constraints.
Barr Foundation — (2024–Present)
Ongoing collaboration with an institution to create staff portraits, document events, and capture grantee programs across a range of settings. The work emphasizes visual consistency across internal communications and public storytelling, while balancing portraiture and documentary approaches within a cohesive, flexible system.
RISD Museum — Limelight: Museum Workers Appreciation Night (2026)
A live portrait installation built within an institutional event. The work centers staff recognition through a participatory photographic exchange, producing an immediate and cohesive archive of presence, visibility, and institutional identity.
Rhode Island Humanities — 50 Fest Portrait Studio (2023)
A participatory portrait and writing system built in public. The work brings image and text together to form a layered civic archive shaped through interaction and exchange.
“On the Night Shift” — Rhode Island Monthly (2026)
A photo essay on work that happens while most people sleep. Moving across industries, the series traces rhythm, routine, and environment through a deliberate, unfolding sequence.
CONCEPTUAL & SELF-INITIATED WORK
Ongoing bodies of work developed through research, repetition, and long-term inquiry.
FIRE — Framing Instant Relief and Empowerment (2026–Present)
A portrait system where participation directly generates financial support to community organizations. Built around exchange and immediacy, the work links image-making with fundraising in real time.
Visiting Hours (2025–Present)
A portrait series about where creative work happens. The images examine how space holds process, tracing the conditions that shape creative labor over time.
A Secret Meeting of Black Men (2022–Present)
A portrait and documentary series grounded in presence and trust. The work explores identity and safety through ongoing relationships and careful attention to space.
All the Worlds (2023)
A constructed portrait project rooted in personal narrative. Drawing on performance and theatricality, the work stages identity and memory within a controlled visual language.
In Good Company (2023–Present)
A long-form portrait series about being with others over time. Built through sequence, the work emphasizes attention, continuity, and the evolving nature of presence.
IN DEVELOPMENT
Decalogues
A portrait system built on ten prompts per subject. Using instant film, the work explores identity through constraint, repetition, and individual interpretation.
Mechanicals
A documentary series about the work behind the work. The images focus on the labor and infrastructure that support cultural production, bringing often unseen roles and environments into view.
The work continues to grow through commissions, collaborations, and ongoing inquiry.
If you’re developing something or want to work together: